It’s not recommended to lessen the amount of tobacco products you use if you’re ready to quit smoking. If this is you, you may want to try switching to less harmful products instead. Many people find it hard to lessen use without getting nicotine from another source. But smoking this way won’t end up lessening harm, even if you smoke fewer cigarettes. When you smoke fewer cigarettes, you may be tempted to take longer, deeper puffs. Wait as late in the day as you can before you smoke.Limit your smoking to certain places, like outside, but not at work or in the car.Slowly add more time between smoking cigarettes.For example, these could be the ones you smoke in the car on your way to work. Each week choose a few cigarettes (or other tobacco products) to give up.Here are some tips to help you lessen your use: It also helps to plan which ones you want to try to cut out. To lessen the number of cigarettes or other tobacco products you smoke, you’ll first need to keep track of the number you currently smoke and when you smoke. Research has looked at 2 main ways to lessen the harms from smoking. But this is done without stopping use completely.įor smoking, harm reduction refers to lessening contact with the harmful chemicals that the tobacco industry adds to products like cigarettes and cigars. Harm reduction tries to lessen the health and social harms that are linked to addiction and substance use. BOMB's Oral History Project is dedicated to collecting, documenting, and preserving the stories of distinguished visual artists of the African Diaspora.Even if you don’t want to quit, you may still want to take steps to lessen harm. Through our free and searchable online archive-a virtual hub where a diverse cohort of artists and writers explore the creative process within a community of their peers and mentors. BOMB includes a quarterly print magazine, a daily online publication, and a digital archive of its previously published content from 1981 onward.Īnnually, BOMB serves 1.5 million online readers––44% of whom are under 30 years of age. Today, BOMB is a nonprofit, multi-platform publishing house that creates, disseminates, and preserves artist-generated content from interviews to artists’ essays to new literature. BOMB’s founders-New York City artists and writers-decided to publish dialogues that reflected the way practitioners spoke about their work among themselves. Ader’s entire output shares a haiku-like air of melancholy, and it is a pleasure to finally see all the works together.īOMB Magazine has been publishing conversations between artists of all disciplines since 1981. And of course, there is his most popular work, I’m too sad to tell you (1971), a film showing the artist weeping inconsolably. This continues with his famous fall pieces, in which he plummets sadly (yet hilariously) out of trees onto sidewalks. Starting with his 1965 graduate exhibition at Claremont College, Implosion: The artist contemplating the forces of nature, whose promotional poster depicts the artist seated in a chair on a roof, smoking a cigar with cartoon clouds behind him, Ader reveals an ongoing interest in conceptual gestures with narrative components-often involving a precarious subjection to gravity. Ader produced a peculiar brand of romantic conceptualism augmented perfectly, though terribly, by his demise. Given a relatively limited span of production (1967–75), the intentions of the artist in many works remain unclear. The catalogue Bas Jan Ader Please Don’t Leave Me, the first monograph on the artist, presents every piece of work he produced (including versions and works-in-progress). By the time this BOMB issue reaches newsstands, four new books on Bas Jan Ader will have been released in the past year. The oeuvre he left behind is currently circulating in a retrospective organized by the Museum Boijmans Van Beuningen, Rotterdam.Īs with any artist who passes away too soon, the interest in anything Ader only intensifies. Almost dangerous in its level of seduction, Ader’s work and life merged tragically in the second part of his trilogy In Search of the Miraculous, as he sailed off the coast of Cape Cod in a 14-foot boat, never to be seen again. Swallowed by the ocean in 1975 at age 33, the artist Bas Jan Ader emerges in the 21st century as a popular sensation, and it is not surprising. Museum of Bad Art Rejection Collection Auctionby Kerry Folanĭavid Levine's Bauerntheaterby Aaron Cedolia & Geoffrey Scott Masha Tupitsyn's Beauty Talk & Monstersby Jeanine Herman Visible Language, Fluxus Issuesby Saul Ostrowįred Willman's Why Mascots Have Tales: The Illinois High School Mascot Manualby Brian McMullenĬAConrad's Deviant Propulsionby Kendall Grady Incantations: Songs, Spells and Images by Mayan Womenby Ambar Pastīas Jan Ader's Please Don't Leave Me & In Search of the Miraculous: Bas Jan Ader Discovery File
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